Kamis, Februari 26, 2009

Arpeggio in Music

In music, an arpeggio is a broken chord where the notes are played or sung in sequence, one after the other, rather than ringing out simultaneously. The word, like many other musical terms, originates from Italian, in which it means "in the manner of the harp".

An arpeggio is a group of notes which are played one after the other, either going up or going down. The notes all belong to one chord. The chord may, for example, be a simple chord with the 1st, 3rd and 5th notes of the scale in it (this is called a "tonic chord"). An arpeggio in the key of C major going up two octaves would be the notes (C, E, G, C, E, G, C).

An arpeggio is a type of broken chord. Other types of broken chords play chord notes out of sequence or more than one note but less than the full chord simultaneously. Arpeggios can rise or fall for more than one octave.

Students of musical instruments learn how to play scales and arpeggios. They are often a requirement for music examinations.

An "arpeggiated chord" means a chord which is "spread", i.e., the notes are not played exactly at the same time, but are spread out. Harps very often play arpeggiated chords. In piano music they are quite often used. An arpeggiated chord may be written with a squiggly line going from top to bottom in front of the chord. It is spread from the lowest to the highest note. Occasionally, composers such as Béla Bartók have asked for them to be played from top to bottom. This is shown by adding an arrow pointing down. Arpeggios are known at the end of scales.

Instruments

Any instrument may employ arpeggiation, but the following instruments use arpeggios most often:
String instruments are used to play arpeggios in classical music. Along with scales, arpeggios are a form of basic technical exercise.
Bass guitarists often use arpeggios to play out chords.
Guitarists use arpeggios extensively in certain genres, such as neo-classical, and often while employing the sweep-picking technique.
Synthesizers are often called upon to play arpeggios, especially in electronica. Some synths contain arpeggiators especially for this purpose.
Keyboards, such as piano and accordions, are used to play arpeggios.
In Western classical music, a chord that is played first with the lowest note and then with successive higher notes joining in is called arpeggiato. Sometimes this effect is reversed, with the highest note coming first. In some modern popular music arpeggiato is called a "rolled chord".
In early computer music, arpeggios were often the only way to play a chord since sound hardware usually had a very limited number of oscillators. Instead of tying them all up to play one chord, one channel could be used to play an arpeggio, leaving the rest for drums, bass, or sound effects.

Piano Arpeggio

Below is the link to how to play piano arpeggio.

http://www.expertvillage.com/video/1158_piano-arpeggios.htm

Jumat, Februari 20, 2009

Biography of Mozart

Biography of a genius who wrote his name in the history of music. Mozart was a musical maestro who had his own unique style of composing music and presenting to the world...

One of the most widely appreciated prominent musical maestro ever happened to live in the history, musical genius Mozart was born on 27 January 1756 in Salzburg, Austria to Leopold Mozart, a business-minded composer, violinist and an assistant concertmaster at the Salzburg court and Anna Maria Pertl. He was named Johannes Chrysostomus Wolfgangus Gottlieb Mozart in honor of his grandfather (maternal) and a Saint Johannes Chrysostomus with whom he shared his birth date.




Being born and brought up in a family where music was in air, in life and in dreams of everyone, Mozart was naturally attracted towards music. From his childhood, Wolffanfus learned and developed immense interest in music. When he was just 5 years old, Mozart started composing small and beautiful melodious numbers. Looking at his children's musical talent, Mozart's father decided to use this opportunity to showcase the talent of his children (Wolfgangus and elder daughter Maria Anna "Nannerl") in front of the world.

At the age of six (in mid 1763), Mozart and his elder sister performed in many concerts in European Courts (In Paris and London); they also gave performances at major cities where they met many music lovers. They also performed in front of the Bavarian elector, royal families and the Austrian empress. Wolfgangus and his sister played piano and violin and were more than successful to tie their audiences to the chairs.



Soon, Wolfgangus wrote and published his first composition and when he was nine years old he started writing symphonies. Demand for his music show started increasing so much that only nine months after coming back from his tour in 1766, the Mozart family again set for yet another tour of Vienna. However, due to some problems Mozart could not perform in an opera in Vienna. After coming from the tour of Vienna, Wolfgangus tried to concentrate on improving and learning new skills in music, for this reason he did not plan any tour till 1770.

In next three years from 1770 to 1773, Mozart toured Italy three times and gave many outstanding performances. While on tour of Italy, Mozart even wrote two of his famous operas 'Mitridate' and 'Lucio Silla'. Mozart showcased his talent and astonished his audience when he adopted Italian style in his music. Mozart further started his journey of music composition, he wrote set of string quartet and also some symphonies. When Mozart was at Salzburg during the period from 1774 to 1777, he worked as Konzertmeister (Concert Master) at the Prince Archbishop's Court where he performed in some Piano and Violin concerts (about half a dozen piano sonatas), masses, symphonies etc.

During the same period, he visited Munich once in 1775 for a premier of his Opera La Finta giardiniera. Wolfgangus was very ambitious and wanted to attain a very high position in the world of music, he knew that staying in Salzburg it was never possible to achieve what he wanted; in 1777 Mozart left Salzburg with his mother and set for Munich and Mannheim. There he tried his best to find a good post for himself but was never offered one, he then moved to Paris in search of the same.




In Paris, Anna Maria (Wolfgangus's mother) died and Wolfgangus became very lonely, here also Wolfgangus could not get any suitable post for himself. After Wolfgangus's all the unsuccessful trials, Leopold called him back to Salzburg, where he managed to arrange a high level post for his son. For next two years, Wolfgangus, worked at Court and played concerts at Courts and Cathedrals. He actively participated in concerts, serenades and also composed music for dramas.

He also continued composing and creating symphonies. In 1780 he received the most awaited opportunity to perform in an opera at Munich. Along with many concerts, operas and music composition for dramas, Mozart also wrote beautiful music compositions, which have become masterpiece of his artwork.

Mozart was sent to the court at Vienna where he was not allowed to work for the post he wanted the most, he finally gave up trying to perform at the court in Vienna and got out of the job around 1781. After that period, Mozart received many golden opportunities to make fortune when he created music while he was not at any post. Soon, Mozart started going in public, he played music in public functions, published his work and also started teaching music. Further in 1787, Mozart was offered a minor court post as Kammermusicus, where he wrote dance music for court balls.

In year 1782, Mozart married Constanze Weber (younger sister of Aloysia Weber, Mozart’s former lover). Mozart gained a reasonable popularity by publishing some beautiful sonatas (for violin and piano), music compositions, and by performing in concerts and Operas like 'Die Entfuhrun aus dem Serail' (in 1782, which was one of his most successful operas with many songs in it.

NOTE: Mozart wrote serious as well as comic operas (he wrote three comic operas in his life)), he also wrote some quartets, which he had dedicated to his Haydn who appreciated Mozart for his knowledge of music and composition talent. Mozart also gained popularity by managing concerts on his own, without any assistance he not only composed music for the concert but he also managed the orchestra. Mozart earned enough to live a comfortable life, but because of his improper management of money and expenses, he was never able to save money for future and always had to borrow from others when was in need of money.

Mozart spent rest of his life in Vienna; during this period he also visited various places such as Salzburg, Berlin etc. to perform in operas, dramas and concerts. Mozart died on 5 December 1791 in Vienna. (There are different stories regarding the death of musical genius, according to one story he died of the feverish illness (Rheumatic Fever) and according to another he died of poisoning). Mozart composed hundreds of beautiful and unique music works which include over 20 operas, about 14-15 Masses, 30-40 concerts (piano and violin), 50-60 symphonies, and 20 sonatas etc. Even after his death, Mozart remained and will remain one of the most favorite musicians for millions of his fans.
By Nilesh ParekhPublished: 1/29/2005

Oprah Winfrey's Quote

Doing Your Best at this moment puts you in the Best Place for the Next Moment.

Kamis, Februari 19, 2009

Abstract Musical Pictures


Dear Students,

Below are some of the interesting pictures for music in abstract form which you can download.

Please be cheerful and always remember that YOU are SPECIAL.

Love from us,
Management and Teachers
























Quote For You

Dear Students,

It is our objective to continue to provide education in whatever form as much as we can because we are not solely here to teach you about music and ballet. Education is an integral part of our objective and therefore you will not limit ourselves in educating you on certain matters. We want you to grow and mature as a person. To become someone great. For us every child is special. So remember that YOU are SPECIAL.

As part of that objective, from time to time, we will provide you with important and relevant quotes or statements or information for you to ponder and emulate. These quotes are from famous people who can be statemen, artists, generals, presidents, and many other professions. They have all gone there and done that. A lot of things to learn from them. So they are important and very good to learn from.

We really wish that you can learn something from these quotes and instill in your mind from time to time.

For Today's quotes, please see below:

Knowing is not enough, we must Apply
Willing is not enough, we must Do


Johan Wolfgang Van Goethe

Rabu, Februari 18, 2009

Some Photos of Royzel's Music Students

Hi there again, Dear students!!

Today is a great day as we can see many of the students have discussed on what songs they will prepare to perform at the GKJ in August 2009. This is gonna be another great performances by all the students. We just wish that all students be prepared and practiced well for the event.

To continue with previous postings, we would like again to share some of the photos of our students (this is the time for music students) to show some of their backstage "performances" for which they didnot have to practice on. :) :)

These photos (the photos that are uploaded in this blog), again may not be available to students as they are all backstage and not those photos in which taken from the real performances. Again, the management did not upload those photos on real performances on the assumption that most if not all students have got them and therefore it could be duplicating if we post those photos again.

Aside from those, if students or parents are interested in copying those photos onto their files, they are free to do so without the need to get any permission from the school as the school really wants to give them for free and for the students to enjoy i.e. to see themselves and their friends doing some funny faces and to catch them in "real backstage" action while waiting for their turn to perform.






















Some Photos of Royzel's Ballet Students (Part Two)

Here we come again, dear Students!!!

So happy to see you again in those costumes !!
Thank you for all the comments that you have made. It was great to know that you all like them. To continue with the previous uploading, please check out some additional photos of yours and your friends. Please tell us what you think and give comments again. And for those who misbehave at the backstage, making fun of their friends or look funny unfortunately, you were well recorded, my dear. :) :)

Please enjoy them.




















Some Photos of Royzel's Ballet Students

Most ballet students must have received their photos on previous Royzel's performance at the Gedung Kesenian Jakarta (GKJ). The teachers and management of Royzel School of Talents are very happy to know that all students and parents are very happy with the photos that some of them even take it to the extent of making them an album.
This is great because this in itself shows a strong interest of the students to perform and that kind of motivation and spirit must be kept in tact to ensure continuous improvement in their quality. Remember that one great man says "There is no genius without a touch of Madness". Somehow you have to be a little bit "mad" to be able to master something. You have to put your heart and soul into certain thing you do to be successful. To be an outlier. And those students who sleep with their photos certainly will have a great future in whatever they are at.

Aside from that, the purpose of writing these is actually to show some of the photos on backstage of GKJ that many of our students did not know. Actually this is can be the best part as they are not really "in action" yet but it is really interesting something how it looks when you are at backstage. Remember, these are all backstage photos. No on-stage photos will be uploaded because it is going to be redundant as most if not all students have got them.

Dear All Ballet Students, please enjoy these and give comments if you want. Due to the significant number of photos to be uploaded, the managment will probably upload bit by bit on periodic basis. Photos of Music students will also be uploaded at later date. Watch out for that!!!










Selasa, Februari 17, 2009

The Gedung Kesenian Jakarta


Continuing previous year’s experience, Royzel School of Talents is going to arrange another performance this year at the Gedung Kesenian Jakarta (GKJ) or also known as Jakarta Arts Theatre. Many students have started preparing themselves for the performance and their interest to be able to perform at GKJ is extremely strong. While we are lucky to have GKJ as a place for our beautiful and grand performances and the fact that many of us have visited GKJ more than once but till now we barely know the information and the history of this historic building. So let’s talk a little bit about the Theatre.







The Gedung Kesenian Jakarta in Jakarta stands in all its majesty and glory right at the heart of the capital city. This impressive Jakarta Art Building is an example of aesthetic and structural beauty. Skillfully renovated in 1987, the present art venue with its specific Empire style brings back memories of the 19th c patterns which were in vogue in Batavia (the old name of Jakarta) at that time.


History of The Gedung Kesenian Jakarta
The creation of this art venue dates back to the British colonial period. Sir Thomas Raffles who was renowned of his passion in the study and preservation of local culture, took the initiation for its establishment. A simple bamboo theater was built in Weltevreden and was named 'Military Theater Venue'.
The present beautiful art venue with its specific style is an artistic work of careful and skilful renovation completed in 1987, financed by the regional goverment of Jakarta. Sometime people are curious to be more well-informed of the existence of this 'Empire Style' venue which was fashionable in Batavia (the old name of Jakarta) in the 19th century. A flash back of colonial period in this country is necessary. History could say that among the worst moments, there was something positive, in this regard the establishment of this art venue. Sir Thomas Raffles, who was renowned of his deep interest in the study and preservation of local culture paved the way to the birth of present GKJ, during the British Colonial rule.
In 1821, supported by the Dutch colonial government, this bamboo theater was replaced by a permanent art building with a size of 144 by 60 feet. It was called Schouwburg Weltevreden. After change of several names, Gedung Kesenian Jakarta became the standard official name since 1987. Back at that time, the lighting inside the building was done by using candles and kerosene lamps. Gas light came in 1864. The electricity was first used in 1882 inside the building, but a gas light was still there outside the building and it was still functioning up to 1910.

Features of The Gedung Kesenian Jakarta in Jakarta
1. The Gedung Kesenian Jakarta is a platform that gives opportunity of participation to any form of arts like dance, music and theaters.
2. Various performances of art – local, international, traditional, modern are staged here, professionally managed by a solid team of various experts.
3. The Gedung Kesenian Jakarta believes in the dulce et utile way of art acknowledging the aesthetical as well as the show biz value of art.
4. The interior of the art venue is designed in such a way to meet high requirements, artistically as well as technically to stage refined qualities of various arts.
5. The main building consists of an enormous front antique style open hall, the auditorium with 370 seats, stage, foyers, lobby and 'loge' which is basically an empty place in the right and left side of the spectators, where, in case of necessity, five seats could be installed.
6. There is a beautiful balcony on the upper floor with 75 seats.
7. On the same floor, there are sound system control room, lighting and projector-documentation room.
8. The rear stage has make up and waiting rooms for artists and a decoration room. The right wing of the building contains a special passage for disabled using wheel chairs.
9. The Management Board occupies a small office at a small building on the right wing of the main building.
10. Show programs usually start after the evening.
11. The strict disciplinary requirements are part of the attempt to preserve the high value of the art performance to ensure a positive appreciation of the spectators themselves.
12. Both the artists and the audience who are true connoisseurs of art are all praises for the way The Gedung Kesenian Jakarta is preserving its beauty and historical properties.

How to Reach The Gedung Kesenian Jakarta


The Gedung Kesenian Jakarta is located at Jalan Gedung Kesenian No. 1 Jakarta 10710 in the famous sub-district of Pasar Baru, down town of Jakarta. It lies next to the old antique building of the Post-Office.

Kamis, Februari 12, 2009

Cara Bernyanyi Yang Baik (Part Two)

Berikut ini adalah Dasar-Dasar Tekhnik Bernafas untuk Menyanyi. Cara yang paling gampang untuk mengetahui bagaimana kamu harus bernafas untuk bernyanyi adalah dengan merasakannya. Apabila kita dapat bernafas untuk bernyanyi dengan cara merasakannya dan memvisualisasikannya, maka kamu dapat membuat proses latihan menjadi lebih natural. Bagi mereka yang punya masalah dengan pernafasan atau paru-paru, latihan tentu disesuaikan dengan takaran yang ringan dulu.

Penarikan Nafas

Dalam menyanyikan lagu-lagu, seorang penyanyi haruslah dapat menarik nafas penuh dan dengan jumlah udara yang banyak dalam tempo waktu yang sangat pendek atau disebut – Quick Inhalation. Tentu musik orchestra tidak dapat menunggu terlalu lama untuk kamu menghirup udara. Seorang penyanyi yang tidak terlatih pernafasannya akan mengalami kesulitan melakukan Quick Inhalation karena proses ini dilakukan dengan cepat sehingga si penyanyi akan kelihatan ngos-ngosan dan/atau postur tubuh dapat menjadi tidak sempurna (mungkin dada membusung, muka menjadi tegang, pundak naik-turun, nafas terputus dan lain sebagainya). Latihan-latihan berikut ini dapat dilakukan untuk mengekspolarsi pernafasan kamu. Rasakan bagaimana tubuh kamu bergerak pada saat menarik dan menghembus nafas.

Tarik nafas seolah-olah udara yang masuk ke hidung itu benar-benar berat sekali. Visualisasikan tarikan nafas itu seolah-olah beratnya 20kg lalu biarkan nafas yang berat itu jatuh kedalam tubuhmu.
Biarkan nafas yang berat itu jatuh ke bagian pusar. Rasakan sensasi berat ini.
Sekarang dengan tempo yang cepat sekali ikuti pola nomor 1 dan nomor 2 dengan tetap memvisualisasikan beban berat itu.
Lakukan latihan ini setiap hari selama 10 menit.

Sensasi mengisi paru-paru kita dengan udara sampai penuh dengan sangat cepat inilah cara bernafas kalau kamu mau menyanyi. Beban berat yang divisualisasikan itu digunakan untuk latihan sehingga kamu dapat menarik nafas dengan entengnya pada saat menyanyi.

Latihan kontrol pernafasan ini akan membuat kamu banyak menguap. Ini karena tubuh kita bingung dengan perbedaan jumlah udara yang masuk ke paru-paru. Murid-murid yang baru belajar vocal biasanya malu-malu kalau menguap pada saat latihan karena takut disangka tidak konsentrasi. Namun faktanya hal ini adalah normal. Jadi jangan khawatir kalau kamu banyak menguap pada saat melakukan latihan rutin.

Penghembusan Nafas

Bernyanyi berarti kamu harus mengontrol penghembusan nafas kamu. Kamu mesti dapat melakukan penghembusan nafas secara perlahan dan terus menerus secara mulus. Dengan kendali nafas seperti ini, kamu dapat bernyanyi untuk lagu-lagu yang bernada tinggi dan lirik lagu yang lambat memanjang.

Untuk mengeksplorasi penghembusan nafas, kamu dapat melakukan latihan ini.

Cobalah ambil bulu ayam dan tiup bulu ayam tersebut di kamar kamu.
Pastikan tiupan nafasmu itu panjang sehingga bulu ayamnya dapat bergerak terus menerus akibat udara yang dihembuskan. Jadi jeda untuk kamu menghirup udara dalam jumlah yang banyak adalah sangat pendek.
Pada saat kamu meniup bulu ayam tersebut, pastikan dada dan pundak anda tidak bergerak turun naik. Jadi hanya diafragma yang bekerja sehingga perut menjadi kembang kempis.
Lakukan aktifitas ini setiap hari sekitar 15 menit.

Postur Tubuh pada saat Bernafas

Bernafas secara efisien pada saat bernyanyi merupakan kombinasi dari kemampuan berpostur sempurna pada saat melantunkan lagu dan keahlian menarik dan menghembus nafas. Ingatlah bahwa postur tubuh itu sangat penting. Dengan postur tubuh yang baik, kamu dapat bernafas dengan dalam dan menarik nafas penuh dengan tempo yang tidak terlalu lama. Apabila tubuh kamu agak membungkung atau malah agak tegang, diafragma kamu akan terkunci dan kamu akan mengalami kesulitan untuk mendapatkan pola nafas yang baik untuk bernyanyi. Apabila pengendalian nafas dan postur tubuh kamu bekerja sebagai suatu tim, kamu dapat menyanyi lebih baik.

Intinya adalah bagaimana postur tubuh mendukung proses bernafas yang baik sehingga pengambilan dan penghembusan nafas menjadi efisien dan mudah.

Kedua tangan kamu dapat membantu untuk memudahkan pengendalian postur tubuh. Pada saat latihan bernafas baik pada saat latihan penarikan nafas maupun penghembusan nafas sebagaimana dijelaskan diatas, letakkan salah satu tangan di perut kamu dan satunya lagi di dada kamu. Pada saat kamu menarik nafas, gunakan tangan kamu untuk merasakan apakah dada kamu tetap tidak bergerak. Yang kamu perlu pastikan adalah baik pada saat menarik nafas maupun menghembus nafas, dada dan pundak kamu tidak bergerak sama sekali. Kenapa dada dan pundak kamu tidak boleh bergerak pada saat tarik dan hembus nafas?

Pada dasarnya apabila dada kamu ikut bergerak naik pada saat kamu menarik nafas, kamu akan memberikan tekanan yang tidak perlu pada otot-otot dada, leher dan muka kamu. Penekanan pada dada dan leher kamu ini akan mengurangi kemampuan kamu untuk melantunkan lagu secara sempurna dan akan membuat kamu kehabisan nafas lebih cepat. Ini harus dihindari. Dengan tangan kamu yang satunya lagi, kamu akan merasakan perut kamu masuk pada saat kamu menghembuskan nafas dan keluar pada saat kamu menarik nafas.

Selasa, Februari 10, 2009

Cara Bernyanyi Yang Baik (Part One)

Salah satu hal terpenting dalam belajar bernyanyi adalah dengan mengetahui bagaimana bernafas dengan benar dan belajar untuk mengendalikan nafas sehingga dapat mencapai efek yang maksimal pada saat kita bernyanyi.

Pada saat kita lahir, pernafasan kita secara alamiah adalah benar dimana bayi-bayi dapat bernafas, berteriak dan menangis dengan efek yang maksimal karena mereka menggunakan paru-paru mereka tanpa usaha secara sadar. Sejalan dengan pertambahan usia, sebagian dari kita cenderung menjadi malas dan hanya menggunakan bagian atas dari paru-paru dan hanya mengambil nafas pendek /dangkal. Jadi pengambilan nafas menjadi tidak normal seperti pada waktu bayi dulu.

Pada saat kita bernafas secara normal, kita melakukan penarikan dan penghembusan nafas secara otomatis dan penarikan nafas biasanya pendek dan cepat dan penghembusan nafas yang pendek pula, berhenti sebentar dan kemudian melakukan pengulangan kembali. Intinya kita tidak perlu berpikir untuk mengatur pula tarik hembus nafas ini. Hal yang berbeda terjadi pada saat kamu bernyanyi dimana kamu tidak hanya mesti menarik nafas dengan cepat dan menghembus nafas secara perlahan sejalan dengan lantunan lagu yang kamu nyanyikan, namun kamu juga perlu menjaga postur tubuh kamu sedemikian rupa sehingga tidak kaku dan kelihatan capek.

Untuk mengetahui bagaimana bernafas yang benar dan tekhnik pengaturan pernafasan yang baik, pertama-tama yang harus kita ketahui adalah bagaimana proses atau system operasi pernafasan itu.

Disekeliling paru-paru kita terdapat sistem kerja otot yang diberi nama diaphragma yang berada pada tulang rusuk bagian bawah pada masing-masing sisi, bagian bawah dan belakang yang berfungsi sebagai alat penghirup udara. Pada saat kita menarik nafas, otot-otot berubah posisi menjadi lebih rendah menggeser posisi perut dan usus. Pada saat kita menghembus nafas, otot-otot diafragma membantu mengatur otot-otot sekitar paru-paru (otot-otot perut – abdominal muscles) untuk mengontrol seberapa cepatnya nafas dihembuskan.

Apabila kita menghembus nafas dengan cepat, diafragma tidak akan melakukan apa-apa namun apabila kita menghembus nafas dengan sangat perlahan, diafragma akan menahan gerakan otot-otot perut. Seorang penyanyi belajar menggunakan system otot-otot ini untuk mengontrol pernafasan pada saat melakukan penghembusan nafas. Jadi seorang penyanyi yang baik, dapat menarik nafas dengan jumlah udara yang banyak dengan cepat dan mampu menghembusnya dengan perlahan tanpa merubah postur tubuhnya atau membuat bagian dada dan muka menjadi tegang dan kaku. Dengan bernafas seperti ini, kamu akan dapat memiliki kontrol pernafasan yang baik dan efisien yang diperlukan pada saat menyanyi. Namun oleh karena pernafasan yang dikontrol tidak kita dapatkan secara alamiah, maka kamu perlu melatih tubuh kita pola pernafasan untuk bernyanyi.

Cobalah angkat telunjuk kamu dan letakkan dekat dengan bibir kita dan coba untuk menghembus nafas secara perlahan. Udara yang kita rasakan ditelunjuk kita biasanya hangat dan lembab dan tentu kita akan dapat mengamati gerakan yang terjadi pada diafragma pada saat kita melakukan penghembusan nafas tersebut. Apabila kita telah melakukan ini, berarti ini adalah jumlah nafas yang benar yang biasanya kita gunakan pada saat menyanyi. Seorang penyanyi tidak perlu memaksa atau mendorong udara melalui pita suara untuk menghasilkan suara yang mantap dan kuat. Apabila kamu memaksa mendorong udara melalui pita suara, ini akan menyebabkan terlalu banyak tekanan pada pita suara dan ini menyebabkan pita suara-pita suara tersebut tidak dapat beroperasi dengan baik. Apabila tekanan pada pita suara berlanjut pada waktu yang lama, pada akhirnya pita suara- pita suara itu tersebut akan rusak dan rusak pulalah suara kamu.